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Schoolhouse Rock 30th Anniversary Edition
The second World War had a profound effect on the course of the 20th century, and unfortunately, its horrors, including ethnic cleansing, terrorism, despotism, invasions, the curtailment of civil rights, and rampant nationalism, are still concerns of the modern day. The documentary series The World at War is outstanding in its ability to unfold the complex issues of WWII in a clear, objective, and gripping manner.
Each of the 26 episodes of this five-DVD set, narrated by Laurence Olivier, focuses on a particular, specific aspect of the war, starting at the beginning with Hitler's rise to power in Germany and progressing through the end of the war. Because of this focus, each episode examines its subject in detail, going beyond the names-and-dates style of history that I remember being subjected to in high school, to delve into the much more interesting and important issues of how and why.
I learned something new from every single episode, starting with the very first one. The episodes proceed overall on a regular timeline from the beginning to the end of the war, but since a great deal often happened over a short period of time, the series backtracks at several points to fill in what was happening in different places. For instance, after we are taken through the events from Hitler's rise to power in Germany in the late 1930s to the Battle of Britain and Hitler's attacks on Russia.
The Right Stuff Blu-ray Review
Let Me Play Among the Stars
Reviewed by Michael Reuben, November 4, 2013
Philip Kaufman's majestic The Right Stuff was not a success when it was released in 1983, but it continues to garner new fans as successive generations discover its unique blend of epic inspiration and relatable human drama. No other film has given us such earth-bound all-American heroes, then sent them rocketing into space to become legends. And Kaufman's film has the extra benefit of being (with a few allowances for poetic license) almost entirely true.
The source was author Tom Wolfe's 1979 book of the same name, one of Wolfe's most successful non-fiction publications, which lionized the military test pilots who competed with each other during the post-war years to achieve increasingly faster speeds and created the mold for the famous Mercury Seven astronauts, selected and trained on a crash course to catch up with the Soviets after their successful launch of Sputnik. Wolfe's timing couldn't have been better. The Right Stuff was published at the end of a decade in which American confidence had taken one blow after another both domestically and internationally. The reminder of a time, not so long ago, when the world was held spellbound before its TV screens by the exploits of true-blue heroes trained by NASA was a comforting reassurance, especially when filtered through Wolfe's energetic prose.
The most plausible theory for the film's lack of success four years later is that it had the misfortune to become intertwined in the public mind with the presidential campaign of former Mercury Seven astronaut, and now Ohio Senator, John Glenn. (He lost the nomination to former Vice President Walter Mondale, who was trounced by President Reagan in the general election.) Audiences avoided Kaufman's film as if it were a civics lesson, instead of flocking to it like the stirring adventure saga that viewers have been discovering ever since. With any luck, even more will discover it now on this superior Blu-ray presentation from Warner Home Video.
The animating spirit of The Right Stuff is Chuck Yeager (Sam Shepard), the Air Force test pilot who first broke the sound barrier on October 14, 1947. That momentous event is the first of many triumphs portrayed with edge-of-your-seat immediacy in The Right Stuff, and the depiction is as authentic as anyone could make it, because Yeager served as technical advisor to the film (and appears in a cameo). Sam Shepard doesn't resemble Yeager physically, but his laconic, authoritative performance, which was nominated for an Oscar, captures the indefinable quality embodied by the phrase 'the right stuff'. When another test pilot, Slick Goodlin (William Russ), demands $150,000 from the manufacturers of the experimental X-1 aircraft to fly it past Mach 1, Yeager volunteers to do so for free. He figures the Air Force is already paying him to fly, and exploration interests him more than money.
Over the next ten years, Yeager's base of operations, originally known as Muroc Army Air Field and later renamed Edwards Air Force Base, becomes the favored destination for the best and the brightest among test pilots. The risky nature of their work is symbolized by the Happy Bottom Riding Club run by Pancho Barnes (Kim Stanley in her last film), a tin shanty of a saloon where the wall behind the bar is filled with pictures of test pilots who have died on the job. The wives of these daredevils, typified by Glennis Yeager (Barbara Hershey), struggle daily with the emotional turmoil of being married to men who voluntarily risk their lives in the pursuit of ever-greater airspeed.
When President Eisenhower establishes NASA in response to the Soviet Sputnik launch, he insists that future astronauts be recruited from the ranks of test pilots, and a grueling process of physical and mental testing begins. Ironically, and in what many would come to regard as a serious mistake, Yeager is not included in the pool of candidates, because he lacks a college degree. From today's perspective, the testing process is both comical and occasionally grotesque, but NASA was inventing it as they went along. No one knew for sure what conditions an astronaut would encounter; so they subjected candidates to every imaginable form of physical stress. Only the toughest (and luckiest) remained.
Throughout the sequences at Edwards and the extensive testing, Kaufman gradually acquaints us with the seven men who will ultimately be introduced to the public at a massive press conference on April 10, 1959. 'Gordo' Cooper (Dennis Quaid) is a charmer with an irrepressible grin whose marriage to Trudy (Pamela Reed) will suffer the most from the strains of the job. Alan Shepard (Scott Glenn), who shares with Yeager a quiet confidence, will be the one chosen for the first Mercury mission. Gus Grissom (Fred Ward) will fly the second mission but will emerge under a cloud because of problems with his landing. (Though it is outside the scope of the film, Grissom would later die in a tragic accident during testing of the Apollo 1 spacecraft.) Less time is spent with Scott Carpenter (Charles Frank), Wally Schirra (Lance Henriksen) and Deke Slayton (Scott Paulin), simply because one film can only juggle so many characters.
The standout among the Mercury Seven, in the film as he was in life, is John Glenn (Ed Harris), a charismatic personality with an instinct for the camera that emerges almost immediately at the Mercury Seven press conference. As the first American to orbit the Earth, Glenn became a national hero, but perhaps his most heroically crowd-pleasing moment in The Right Stuff is when he stands up to Vice President Lyndon Johnson (Donald Moffat), his NASA program director (John P. Ryan) and the entire press corps to insist that his reluctant wife, Annie (Mary Jo Deschanel), be left alone. When the program director threatens to replace Glenn on the mission if he doesn't back down, the other six Mercury astronauts provide a vivid demonstration of just what a cohesive team the Mercury Seven had become.
One of the most surprising features for first-time viewers is just how funny The Right Stuff is, because it's so often described in terms of patriotic solemnity. Tom Wolfe's use of humor was essential to his popularity as a writer, and both Kaufman's script and direction for The Right Stuff took care to find cinematic equivalents. Kaufman cast Jeff Goldbum (the tall one) and Harry Shearer (the short one) as a pair of mismatched NASA recruiters whose deadpan delivery would be right at home on the vaudeville stage. Shearer's narration of a newsreel compilation of circus performers who he thinks would be likely candidates as astronauts (they're used to heights, speed and fire—and they're available) could be a skit on Saturday Night Live. To portray the press corps, Kaufman hired members of Fratelli Bologna, a San Francisco comedy theater troupe, who turn the press's crazy scrambles into a kind of Keystone Cops ballet. And, of course, there's the constant ribbing among the pilots and the astronauts, who may present a unified front to the outside world, but in private are constantly trying to outshine each other.
Because The Right Stuff depicts the beginning of the space program, Kaufman and effects supervisor Gary Gutierrez elected not to create their flight sequences using then state-of-the-art techniques seen in films like Star Wars and Outland. Instead, as Kaufman later said, 'we tried new techniques and old ones, often jerry-built. Sometimes we hurled models out of windows and filmed them on their way down.' The result has a rough-hewn authenticity that blends well with the documentary scenes culled from thousands of feet of newsreel footage collected by the editing team from all over the world.